Saving My Heart For You

Out of the blue, I received the following message via FB Messenger…Untitled-1

I get it that no one reads this blog. I mean, I have access to the stats, so I know that NO ONE reads this blog.

However, if you are one of the one who does, you know how vital cassettes were to my survival in this particular lifetime, especially during my middle school/high school epoch. Therefore, an offer like this indeed registered on my personal Richter Scale.

The stellar human, total dude, and polymathic stud—he’s possessed of mad wood working skillz, he’s woke on podcasts, he has total nostalgia recall capabilities, and he’s hella gracious—who made the offer, just happens to live in the other neighborhood I periodically inhabit. You see, I split my time betwen Minneapolis (where my kids live) and Atlanta (where my wife lives). Trust me, you’ll understand it after I write my magnum opus and accept my academy award for “Best Adapted Screenplay”. But for now, just go with it as a “different” normal.

Anyway, being offered a two Nike shoe boxes and a Case Logic 15-cassette caddy overflowing with cassettes is not an unheard of experience for someone like me: an “audiophile” who covets all recorded music mediums (save 78s and Edison Phonograph Cylinders—gotta draw the line somewhere). But to be offered this volume and caliber of  recorded music on compact cassette tapes, which incidentally are “Better Than You Don’t Remember“, was a straight thrill—I ain’t gonna lie!

Full disclosure: when I get an offer like this, I’m torn. On one hand, I obviously want a well-curated compact cassette collection from the late ’80s—duh! On the other hand, I know what it would mean to me if I still had my own collection rather than hawking it at Down in the Valley in the early ’90s, only to turn around, literally, and buy copious amounts of used Eagles, Bob Seger, and (The) Who CDs with the proceeds.

My total dude southern neighbor assured me that “getting back into cassettes” was not on his radar, or his kids’ radars, or the radars of anyone with whom he was aware, related to, or casually associated…except me!

Yay me!

On a sunny March afternoon in ATL—sun in MSP in March is as rare as an OG cassette copy of Sublime’s Jah Won’t Pay the Bills on Skunk Records—my wifey and I swung by and picked up the magnetically coated polyester-type plastic film booty. It was a kick—I ain’t gonna lie!

Needless to say, the Pioneer mothership soundwall is located in a basement rumpus room in MSP, not in the unfinished basement storage zone in ATL.

And my big bad TOTL Pioneer CT-F1250 was exactly 1,117 miles away from the two boxes of tapes and one Case Logic caddy that I was cradling in my arms. Hence, I was going to have to endure the tedious yet familiar two hour and two minute return flight from ATL > MSP before I could hear the majestic notes of someone else’s teenage dreams.

Upon arriving back home from my trip home, I carefully unpacked all of the jewels and dropped them strategically in the open slots of one of the myriad wall-mounted Napa Valley Box Co. wooden cassette caddys that adorn my basement walls.

Tape by tape, I rolled my way through my neighbor’s teen epoch. In the process, I picked up a decent amount of music knowledge, such as…

Roger Waters’ Radio K.A.O.S. has been short shrift’d by AllMusic.

As I’ve always suspected, John Hiatt has one of those so-distinct vocal styles.

.38 Special was indeed special!

Anyway, I can’t adequately describe how delightful my trip through my latest acquisition has been. As my idol Bruce Springsteen once said…

“There is nothing so satisfying as busting the plastic seal on a new cassette, cracking open the case, and inhaling that new cassette smell.”

Actually, it was I who said that. And, older tapes present a completely wonderfully different bouquet—like that new record smell vs. an older mustier gem.

As I perused the cache of old-new stock tapes, I was struck by something.


Crucial, actually.

Among us diggers, there is a thing commonly referred to as: “record Karma”. It’s a pretty simple concept that takes a bit of time to explain and is best understood via example. I’ll give a first-hand account form my own experience, as only a first-hand experience can be accounted…

There is a Goodwill a scant three miles from our MSP home. Without getting mired in the intricacies of my custody arrangement, I see my kids every other weekend (and other days during the week). On my weekends, my daughter and I usually hit as many thrift stores as we can, and we hit ’em hard! We are ninja-like in our dismantling of any given outlet, and we know each store’s strengths and weaknesses.

On one particular trip to our local Goodwill, I ran across a freshly donated collection of AOR standards hastily crammed into the makeshift LP rack—actually a repurposed magazine rack—at the rear corner of the store. We’re talking High Infidelity, Against the Wind, On the Border, and so on, and etc…

Normally, despite previously owning at least a half-dozen different copies of each of these LPs at any given point since my 2009 vinyl Renaissance sparked my thrifting Odyssey, I’d snap them up for any number of rational (and irrational) reasons. Mainly, I’d snap them up strictly on principle. But, on that particular day, I was struck by the need to contribute to, rather than draw from, the well of record Karma.

I left that vein of vinyl gold and platinum—every LP in the run had been certified gold or platinum (many times over in some cases)—in that rickety white metal magazine rack for the next teenager, hipster, or oldster to discover. I wanted those records, but someone else likely needed ’em. I hope whomever needed ’em got ’em.

To my simplistic way of thinking, I believe that if you stack up enough of these displays of restraint, grace, and gratitude, really cool shit like your neighbor gifting you like 75 cassettes happens.

That’s what I’m going with anyway.

Thanks Matt! Your tapes will be graciously absorbed into my collection of 900+ cassettes and live to roll another day…many other days in some cases (like that Warren Zevon tape).

© 2020 – ∞ B. Charles Donley

The Logic Behind the Case For Case Logic

Throughout my frequent thrifting operations, I occasionally run across nostalgically crucial artifacts, implements and devices. Sometimes, I’m totally floored when I run across something I’d forgotten ever existed.

Take the time I found an Advance Watch Co. Ltd. QUARTZ DIGITAL ALL PURPOSE CLOCK.


Sure, to the average human, it probably looks like a cheap crappy digital clock—clearly from the ’80s. Well, it is all that. It also happens to be the clock my father chose to affix to the dash of his 1981 light blue Toyota Corolla SR-5 two-door liftback.

Dad was notorious for luring my younger brother and I out on Saturday morning errands with the promise of a stop at Perkins for pancakes (my  brother) and French toast (me). After breakfast, We’d spend the rest of the morning staring at this clock (my brother from the shotgun seat, me from the back seat) praying that whichever hardware store, department store, or garage sale we were headed to was the last stop of the morning. Needless to say, I literally spent hours staring at this clock. Seeing it 35 years later in it’s original packaging  hanging on a peg in a thrift store nearly triggered a nostalgic seizure.

Other times while thrifting, I’m dogged by stuff that seems to follow me from thrift store to thrift store—things like: DVD players, Precious Moments figurines, and endless copies of Herb Alpert and the Tijuana Brass’ six-time-platinum masterpiece: Whipped Cream.


Periodically, I track down things that I purposely hunt for at thrift stores. I never pass up a functioning Sony Walkman cassette or CD player. I buy every new or lightly used “Designed by Michael Graves for Target” gadget I find. And, I snatch up any Napa Valley Box Co. media storage caddy, case, or rack. The reason is that the difference between the thrift store cost and the market (a.k.a. eBay) price is generally enough to make it worth my while.

Along those lines, I generally lay claim to anything made by Case Logic. Mainly for the aforementioned reason, but also because I’ve likely owned and utilized at least two dozen of their portable media storage products over the course of my lifetime. Also, their products trigger nearly the same nostalgia hit as my dad’s car clock.

As a kid born in ’72, I saw both the cassette and CD revolutions come and go before my 30th birthday. I owned hundreds of each at various points in the ’80s and ’90s. Bewitched by the convenience of digital music, I dumped all my physical media during the great Napster revolution at the turn of the century.

Ironic twist alert: I’ve spent the past decade acquiring more cassettes than I ever owned in the late ’80s—nearly 900 tapes as of today—doh!

Anyway, as I headed off to college in August of 1990, I was war-torn between the two formats. At that time, CD burners were still years away from existing, much less being affordable. And before digital music files and players became the de facto standard for portable audio—”back in my day” anecdote coming—we were forced to haul our tapes and CDs along with us when music-on-the-go was the order of the day (or night).

On a recent thrift outing, I snapped up a Case Logic DM-24 portable padded nylon case. The only reason I know it was a DM-24, is that tucked inside one of the pockets was all of the original paperwork. Included in the usual stack of warranty cards, product registration cards, and index cards, was the 1993 Case Logic catalog in the form of a small yet colorful accordion-style brochure. It was too great not to scan for posterity. See if you can spot the DM-24


Seeing the breadth of the Case Logic product line in 1993—arguably the height of the company’s popularity—didn’t quite trigger a nostalgic seizure, but it did vault me back to at least a dozen points in the past when I owned one or three of the products featured.

Specifically, the CL-15 Tape Case was always zipped and loaded each and every weekend we made the two-hour drive to visit my grandparents in rural western Minnesota. They had no TV reception to speak of, I was two hours from my friends, and my grandpa spun only polka music on his ancient Panasonic turntable. I needed at least 15 tapes to pass the time during two days in the most boring spot on the planet. I still run across these CL-15 cases all the time in thrift stores for $2-3. They are easily the most common Case Logic product I find, likely because they used to sell them branded and loaded with 15 TDK blank tapes at Musicland and Target.

These CL-15 cases generally fetch $15-20 on eBay depending on condition and color scheme—the more colorful the better, duh!

Eventually, during my college daze (1990-95), I drifted toward CDs and graduated to numerous of the padded CD cases (most likely the CD-15 and CD-30). Over the years, I may have even owned a CD-60, and it may have been grey. Unfortunately, Case Logic never produced the case that would have allowed me to tote my entire CD collection with me: the CD-500.

I hope I presented a compelling case for preserving these wondrous Case Logic catalog images on the interwebs for all of eternity…or however much time humanity has left.

© 2020 – ∞ B. Charles Donley



#RSD17, Mine

The scene of the crime…



Once inside…


My haul…


It’s on days like these—Record Store Day ’17—where the utility factor of my hilariously garish basement really smiles up my soul. Spinning the RSD version of Fleetwood Mac’s Mirage (complete with alternate mixes of “Gypsy”, “Hold On” and “Oh Diane”) is a truly decadent indulgence when it emanates from some extraordinary vintage Pioneer Hi-Fi gear.





Now for the standard disclaimers (the list grows each time I post a photo)…

  • Yes, I know my EQ settings are like the stupidest ever on earth in the history of humanity and dinosaurs and aliens. It’s been duly noted. Many times. I promise. Really. Obviously no human should EVER set their EQ as I have. Let this be a lesson to everyone: do the opposite of what I have done.
  • Yes, I know the speakers are too close to the components. It is an L-shaped room in the basement, and I am lacking the requisite space to properly triangulate the speaker stacks and the component monolith. I promise I’m shopping for larger basements to remedy this issue. In fact I think basements are on sale this weekend at Lowe’s, and I have a 10% off coupon somewhere.
  • Yes, I know only a noob would stack HPM-100s in such a amateurish manner (see: doing my best with the small L-shaped space, shopping for larger basement, etc.). I’m too weary to debate this one again.
  • Yes, I realize the SA-9800 (my amp) is only rated at 100 WPC, so each speaker is only getting like maybe 1.73578 watts of sound once you factor in all of the wattage loss inherent in my configuration (I’ve done the measurements and calculations on a scientific calculator, not a crappy regular calculator). What a waste of speaker(s), right? I don’t even deserve these speakers—I know, I know. I’d be better off with a pair of Realistic Solo 4s, yep, roger, got it.

Despite all this, it sounds fantastic…even with the shitty EQ settings 😉


Yes, those are VHS tapes on the left. Yes, VHS was the worst format for movies ever! I was born in ’72, I was deeply affected by VHS in my formative years. Going to Video Update (later: Movie Gallery) or Blockbuster was a treat for us geezers. It’s nostalgia more than anything else. I’ve heard of Blu-ray, I swear.

Yes, that is a wall of ~700 compact cassette tapes to the left of the Pioneer gear (I have LPs and CDs also). I realize other than dime-store music boxes, compact cassettes had the worst sound ever! (see: child of the ’80s, nostalgia)

Copyright © 2017 – ∞ B. Charles Donley

Article: “Music’s Weird Cassette Tape Revival Is Paying Off”

Fast Company:Music’s Weird Cassette Tape Revival Is Paying Off



Over the recent holiday shopping season, U.S. artists and labels saw a 140% increase in tape sales over the previous year, according to a new music industry report from BuzzAngle. Over the course of 2016, Bandcamp saw its own 46% increase in cassette sales, according to a spokesperson for the music service. Also last year, the National Audio Company—the largest cassette tape manufacturer in the U.S.—saw a 20% increase in its commercial tape duplication business (this doesn’t include blank tapes or audiobooks), according to a company spokesperson. This continues an upward-sloping trend for the Missouri-based company, which did more business in 2014 than at any other previous point since its factory opened in 1969.


As mentioned in the article, it’s the nostalgia factor as well. As the curator of a collection of 800+ cassettes, I can attest to the dense sentimental haze that fills the room when I roll a cassette on my Pioneer CT-F1250. It’s a time trip.